Matthew J.R. Kohler
For forty years, Jackie Chan has been appearing in iconic action films, from being a random stuntman in Enter the Dragon to being a leading man in Hollywood films such as Rush Hour. Yet, the biggest question remains for this great action star: Why speed up the fights?
Once you notice it, you can never go back. All of a sudden, I realized how many of Chan’s fights are sped up. How? Let’s take regular motion of a car or a man walking in one of his films. They walk at a brisk pace, but you can see them move step by step. In some of Chan’s films, such as Police Story 2, Chan’s fight scenes kind of blur together and look more like a Charlie Chaplin stunt comedy short.
In other films, Jackie Chan has demonstrated how quick he can be or how precise his movements are. Police Story and Legend of the Drunken Master are perfect examples of that. Police Story has not only some of the best action pieces, but also my personal favorite.
The action pieces have quick movements with tight editing. That way, the action moves smoothly. Whereas in Police Story 2, we see only brief moments of smooth action, which are marred by jarring, sped-up action, making it very difficult to watch.
During the 80s, Chan filmed 21 movies. Considering that Police Story 2 came out in the late 80s, it’s understandable that he was burning out, since he usually gives it his all with the fight scenes. Even though most of his action pieces stepped up his game, he had some missteps during these years, Police Story 2 and Armour of God being the most prominent ones. He almost killed himself in Armour of God, and brutally injured himself and his stunt performers in Police Story 2. That said, there is no way the fight scenes of those films didn’t suffer in quality.
Could he have put too much effort into them? I think so. And as a result, Chan had to take it easier, by fighting at a slower pace during filming. Not wanting to disappoint fans with a slower speed, he sped up the fights in post-production.
Jackie Chan is one of the greatest martial art stars, no doubt. His crazy action scenes and stunts, and his personality, make him such a memorable performer. Although, I wish Chan took a step back and relaxed a bit during those years for his sake and for his art. His fans know how much he worked to perfect the action. Even sped up, however, those scenes are still better than most fight scenes that America has produced in the last forty years. (By the way, American fight scenes are usually sped-up; look out for my blog coming soon on this topic).